Download e-book for kindle: Can Literature Promote Justice?: Trauma Narrative and Social by Kimberly A. Nance

By Kimberly A. Nance

ISBN-10: 0826515231

ISBN-13: 9780826515230

ISBN-10: 082651524X

ISBN-13: 9780826515247

As though in direct reaction to the hot Yorker's query of "The strength of the Pen: Does Literature switch Anything?" Kimberly Nance takes up the connection among ethics and literature. With the fortieth anniversary of the testimonio happening in 2006, there hasn't ever been a greater time to think again its function achieve social justice.The creation of the testimonio--loosely, a political autobiography of a Latin American activist who hopes, throughout the telling of her lifestyles tale, to lead to change--was met with loads of pleasure by means of students who posited it as a thorough new type of literature. these accolades have been shortly through a chain of severe difficulties. In what feel have been testimonios "true"? What correct did privileged students within the U.S. need to interact debts of anguish with conventional modes of feedback? have been questions of veracity or aesthetics extra very important? have been those texts autobiography or political screeds? It appeared critics did not recognize particularly what to make of the testimonio and so, after a quick bout of engagement, skipped over it.Nance, in spite of the fact that, argues that any shape as prolific because the testimonio is definitely worthy studying and that those questions, instead of being insurmountable, are precisely the questions with which students needs to be wrestling. If, as critics declare, that the testimonio is without doubt one of the such a lot pervasive modern Latin American cultural genres, then it really is excessive time for a finished research of the style reminiscent of Nance's.

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Extra resources for Can Literature Promote Justice?: Trauma Narrative and Social Action in Latin American Testimonio

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It’s not my scream; that’s an animal’s scream” (94). In between descriptions of pain and the means used to inflict it, he speaks to his daughter of a lullaby. Ultimately, his attempts A Genre Without a Strategy? 45 to lull himself fail. “I’ve been repeating it for a day and still I can’t fall asleep” (93).  . I’m a froggy so my child can play with me” (94). As the pain continues, the world is reduced to the body, and the man aspires not to superhuman strength to resist but to be smaller, younger, and safer—to be his own daughter lulled to sleep with a nursery rhyme.

And if I cry, I crumble” (79). At the point when the self cannot be kept apart from the pain, there remains one alternative, again cast in a physical meta­ phor: anesthesia. Once again, protection exacts a price. The anesthesia that blocks the pain from reaching the self cannot be shrugged off at will, and it impedes any effort at communication. At one point, Partnoy observes that “when I turned twelve or thirteen I began writing about my sorrows. Now, I can’t even do that. I comfort myself by thinking that my reason for not writing is lack of paper and pencil.

Critical formulations that have confused writing with concrete action in the world appear to have taken at face value forensic or epideictic speakers’ rewriting of their own history. In effect, they have assumed that the sequence is reversible—that to write one’s own history is to triumph politically. To reject this reversal is not to underestimate the importance of the not-at-all simple act of speaking or writing. Since one of the aims of torture and political repression in general is the silencing of the victim—the power of denial—the very act of speaking or writing that something happened can be in itself a form of resistance.

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Can Literature Promote Justice?: Trauma Narrative and Social Action in Latin American Testimonio by Kimberly A. Nance


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