By Russell Sanjeck
This quantity makes a speciality of advancements within the tune company within the 20th century, together with vaudeville, tune packing containers, the connection of Hollywood to the tune company, the "fall and upward push" of the checklist company within the Nineteen Thirties, new know-how (TV, FM, and the LP checklist) after global struggle II, the dominance of rock-and-roll and the massive raise within the tune company through the Nineteen Fifties and Nineteen Sixties, and eventually the altering tune company scene from 1967 to the current, specially relating to govt laws, track licensing, and the list enterprise.
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Additional info for American Popular Music and Its Business: The First Four Hundred Years Volume III: From 1900 to 1984 (American Popular Music & Its Business)
The pair placed an initial print order for 400,000 copies, hired an office staff, and waited for the profits to pour in. " Yet copies piled up on counters and in storerooms, and when local managers returned them, Gilbert and Friedland went bankrupt. Four years earlier, Shapiro, Bernstein had also learned that it 1900-1920 43 took song plugging and hard work to produce results, that advertising and merchandising gimmicks alone did not sell sheet music. In order to prove that he could push a song to the top by featuring it in his coast-to-coast chain of newspapers, William Randolph Hearst had made a one-year contract in 1916 for the exclusive use of Shapiro, Bernstein copyrights.
As the original talking-machine patents began to expire, around 1914, Columbia found itself sharing sales with new companies formed to take advantage of a fading technological monopoly of pooled patents. There were sixty of these by 1916. The most prominent was AeolianVocalion, formed by the player-piano company, and Brunswick-Balke-Collender, an Iowa piano manufacturing company that went into the record business when it found on its hands a surplus of cabinets ordered by the Edison company. Concentrating on the Midwest market, Brunswick made both popular and classical music "personality" records.
5 million. In 1909, more than 27 million phonograph records and cylinders were manufactured, having a wholesale value of nearly $12 million. More than 25,000 songs were entered for copyright registration, complementing the parallel growth of piano sales to a new high of 365,000 instruments. Twenty years before, the Music Teachers National Association had announced that half a million pre-adults were getting keyboard instruction from its members. These pupils had grown up, as had uncounted thousands of others who had also learned to play the instrument.
American Popular Music and Its Business: The First Four Hundred Years Volume III: From 1900 to 1984 (American Popular Music & Its Business) by Russell Sanjeck