By Neil Powell
Whereas dated--the quantity is a part of a suite at the occult released by way of Doubleday in 1976--the details contained inside is exact and well timed. furthermore, the paintings includes many beautiful illustrations/reproductions, making it a visually beautiful resource. Contents: 1 The which means of Alchemy 2 the foundations of Alchemy three Mysterious Frenchmen four The Medieval Masters five The Wandering Alchemists 6 What occurred to Alchemy? 7 intercourse and Symbolism eight Alchemy Lives On
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Additional resources for Alchemy, the Ancient Science
The receiver for the distilled liquid is the aludel. Often the liquid was refluxed so that after condensation in the top of the still, it ran back to be reheated without being collected in an aludel. Flasks in which this process was performed were Above: Arab symbolic figures and diagrams of stills (on the right) from a 12th-century Arab text on alchemy. In general the Arab alchemists were less secretive about their discoveries, and the Arab manuscripts are less shrouded in complicated symbolism than the later European alchemical works.
In different but obviously similar forms these pictures have appeared over and over again in alchemical works through the centuries. The manuscript also attempts an explanation of the meaning of the illustrations that puzzled Flamel for so long, and this interpretation has been expanded by numerous later writers. For example, take the illustration of the young man with wings on his ankles being attacked by an old man with a scythe. The first stage in the explanation was that these two figures stood for Mercury and Saturn.
Below: Flamel's house in 1900. Above: this figure described by Flamel has been interpreted as signifying the fixing of mercury. The old man with the scythe, symbolizing lead, cuts off the feet of Mercury and renders ordinary quicksilver, regarded as a baser, immobile form of silver. Right: another of the figures is called The Three Colors of the Work. The first rider, mounted on a black lion, symbolizes gold in maceration; the second, on the red lion, shows the inner ferment; and the crowned rider on the white lion symbolizes final success.
Alchemy, the Ancient Science by Neil Powell